<!--The Official Report of Parliamentary Debates (Hansard) of the Legislative Council and the House of Assembly of the Parliament of South Australia are covered by parliamentary privilege. Republication by others is not afforded the same protection and may result in exposure to legal liability if the material is defamatory. You may copy and make use of excerpts of proceedings where (1) you attribute the Parliament as the source, (2) you assume the risk of liability if the manner of your use is defamatory, (3) you do not use the material for the purpose of advertising, satire or ridicule, or to misrepresent members of Parliament, and (4) your use of the extracts is fair, accurate and not misleading. Copyright in the Official Report of Parliamentary Debates is held by the Attorney-General of South Australia.-->
<hansard id="" tocId="" xml:lang="EN-AU" schemaVersion="4.0" xsi:noNamespaceSchemaLocation="hansard_1_0.xsd" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2007/XMLSchema-instance" xmlns:mml="http://www.w3.org/1998/Math/MathML">
  <name>Legislative Council</name>
  <date date="2022-11-16T14:15:00+10:30" />
  <sessionName>Fifty-Fifth Parliament, First Session (55-1)</sessionName>
  <parliamentNum>55</parliamentNum>
  <sessionNum>1</sessionNum>
  <parliamentName>Parliament of South Australia</parliamentName>
  <house>Legislative Council</house>
  <venue></venue>
  <reviewStage>published</reviewStage>
  <startPage num="1497" />
  <endPage num="1597" />
  <dateModified time="2023-07-06T09:39:52+09:30" />
  <proceeding continued="true">
    <name>Matters of Interest</name>
    <subject>
      <name>OzAsia Festival</name>
      <text id="20221116561c133d05db4ac190000500">
        <heading>OzAsia Festival</heading>
      </text>
      <talker role="member" id="4867" referenceid="77846993fbd9472e84b7808a94e1d57d" kind="speech">
        <name>The Hon. T.T. NGO</name>
        <house>Legislative Council</house>
        <startTime time="2022-11-16T15:48:11+10:30" />
        <page num="1521" />
        <text id="20221116561c133d05db4ac190000501">
          <timeStamp time="2022-11-16T15:48:11+10:30" />
          <by role="member" id="4867" referenceid="77846993fbd9472e84b7808a94e1d57d">The Hon. T.T. NGO (15:48):</by>  The OzAsia Festival was founded in 2007 by the Adelaide Festival Centre's CEO, Douglas Gautier. It is a rich annual cultural experience showcasing both traditional and contemporary cultures of Asia over three weeks. What makes the OzAsia Festival unique is that it is the only major national event devoted exclusively to exploring links between Australia and the diverse cultures of our Asian neighbours. This year's festival was held from 20 October to 6 November. Adelaide came alive with arts, theatre, dance, music, film, visual arts, food and cultural design from many parts of Asia.</text>
        <text id="20221116561c133d05db4ac190000502">I would like to speak about the work of one particular performer, Ms Maria Tran, who I had the pleasure to meet while attending her production of <term>Action Star</term>. Maria is an Australian-Vietnamese actress based in Las Vegas, USA. She is an award-winning film director, actor, martial artist, activist and cultural pioneer working across film, performance and action drama.</text>
        <text id="20221116561c133d05db4ac190000503">Maria grew up in Brisbane and then moved to Sydney with her parents. The story of Maria's parents is one I connected with, because they too fled Vietnam by boat following the end of the war in 1975. She told me how the racism and bullying she experienced throughout her high school years was a motivating force to studying martial arts. She spoke about working with actor and martial artist Jackie Chan, who was an inspiration for her and has always been one of her favourite action stars.</text>
        <text id="20221116561c133d05db4ac190000504">Maria's production, <term>Action Star</term>, has been described by critics as a show filled with world-class stunts, weapon wielding and explosive choreography. The show provides a snapshot of Maria's life growing up in Australia, with her mesmerising fighting skills mixed with personal storytelling, comedy, dance, choreographed martial arts and live filmmaking.</text>
        <text id="20221116561c133d05db4ac190000505">The show tells a poignant story. It portrays gender stereotypes, identity issues and racism. The show also depicts sexual harassment that female artists often face in the screen industry, as has been reported by media around the world in recent times. Maria's journey as an Asian Australian involved facing many prejudices as she attempted to break into the film industry.</text>
        <text id="20221116561c133d05db4ac190000506">The Australian screen industry was, and still is, heavily dominated by casting white Anglo-Saxons for roles. Maria told me how her Australian auditions only led to roles for unnamed characters such as sex workers, getting blown up in Vietnam war scenes or playing Asian female character roles.</text>
        <text id="20221116561c133d05db4ac190000507">Watching Maria's performance stirred personal memories I have about growing up in Australia during the eighties and nineties. During those decades, many young Asian children faced bullying and racism at school and on the streets to a much greater extent than occurs today. It actually brought tears to my eyes as some of those bad memories came back.</text>
        <text id="20221116561c133d05db4ac190000508">To conclude, I would thank our first Asian Australian to lead an OzAsia Festival, Ms Annette Shun Wah, the 2022 artistic director. For more than a decade, Annette's work has been highly influential in forging personal pathways through various programs for Asian Australian artists. These programs identify and develop emerging talent in collaboration with major theatre companies to bring contemporary Asian Australian stories to festival stages around Australia.</text>
        <text id="20221116561c133d05db4ac190000509">I thank each and every one of the OzAsia performers, the event managers, production teams and the audiences who attended a highly successful 2022 festival.</text>
      </talker>
    </subject>
  </proceeding>
</hansard>